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Currently Paul March works mainly in clay, which he uses to explore ambiguity using primitive, yet strangely elegant, forms.

A previous career as a clinical psychologist specialising in neuropsychology left him with an enduring fascination with how the brain perceives objects. As an artist it is this which lies behind his search to create objects which defy categorization. The sensation of ambiguity, at both the visual and conceptual level, often coupled with the absurd, also runs through his earlier works in other media, including painting, photography, drawing and three dimensional installations.